 Artist: McCoy Tyner: mp3 download Genre(s): Rock Jazz Other McCoy Tyner's discography:  Nights of Ballads and Blues Year: 2006 Tracks: 8  Time for Tyner Year: 2005 Tracks: 6  Tender Moments Year: 2004 Tracks: 6  Illuminations Year: 2004 Tracks: 10  Land of Giants Year: 2003 Tracks: 10  Greeting Year: 2002 Tracks: 5  McCoy Tyner Plays John Coltrane: Live at the Village Vanguard Year: 2001 Tracks: 7  McCoy Tyner With Stanley Clarke and Al Foster Year: 2000 Tracks: 11  The Real McCoy Year: 1999 Tracks: 5  Asante Year: 1998 Tracks: 7  What The World Needs Now: The Music Of Burt Bacharach Year: 1997 Tracks: 9  Extensions Year: 1996 Tracks: 4  Trident Year: 1995 Tracks: 6  Live at Newport Year: 1995 Tracks: 5  Infinity Year: 1995 Tracks: 9  Fly with the Wind Year: 1992 Tracks: 5  Song for My Lady Year: 1991 Tracks: 5  Sahara Year: 1991 Tracks: 5  New York Reunion Year: 1991 Tracks: 8  Enlightenment Year: 1991 Tracks: 7  One on One Year: 1990 Tracks: 10  It's About Time Year: 1990 Tracks: 6  Supertrios Year: 1989 Tracks: 12  Chick Corea, Herbie Hancock, Keith Jarrett, McCoy Tyner Year: 1976 Tracks: 8  The Spoiler Year: 1966 Tracks: 7 It is to McCoy Tyner's expectant credit that his career after John Coltrane has been far from anti-climatic. Along with Bill Evans, Tyner has been the almost influential pianist in malarky of the yesteryear tense 50 days, with his chord voicings being adopted and utilised by virtually every jr. forte-piano player. A powerful virtuoso and a true original (compare his playacting in the early '60s with anyone else from the time), Tyner (like Thelonious Monk) has non altered his way all that practically from his former days just he has continued to grow and become even stronger. Tyner grew up in Philadelphia, where Bud Powell and Richie Powell were neighbors. As a stripling he gigged locally and met John Coltrane. He made his recording debut with the Art Farmer-Benny Golson Jazztet, but later on six-spot months left the mathematical group to join Coltrane in what (with bassist Jimmy Garrison and drummer Elvin Jones) would turn the classical quartet. Few other pianists of the period had both the office and the complementary open-minded style to inspire Coltrane, but Tyner was never overshadowed by the forward-looking saxophonist. During the Coltrane years (1960-1965), the piano player as well light-emitting diode his have criminal record dates for Impulse. After going Coltrane, Tyner struggled for a period, working as a sideman (with Ike and Tina Turner, amazingly) and leading his own small groups; his recordings were consistently exhilarating tied during the lean geezerhood. After he sign with Milestone in 1972, Tyner began to lastly be recognised as i of the greats, and he has never been poor of influence since. Although at that place feature been periodic departures (such as a 1978 all-star quartette duty tour with Sonny Rollins and duet recordings with Stephane Grappelli), Tyner has mostly played with his possess groups since the '70s, which have ranged from a quartette with Azar Lawrence and a expectant band to his trio. In the '80s and '90s, Tyner did the rounds of labels (his old homes Blue Note and Impulse! as well as Verve, Enja, and Milestone) earlier subsiding in with Telarc in the late '90s and releasing a fine series of albums including 2000's Jazz Roots: McCoy Tyner Honors Jazz Piano Legends of the twentieth Century and 2004's Illuminations. In 2007, Tyner returned with the studio record album McCoy Tyner Quartet featuring saxophonist Joe Lovano, bassist Christian McBride, and drummer Jeff "Tain" Watts. |
Sunday, 7 September 2008
Mp3 music: McCoy Tyner
Thursday, 28 August 2008
John Legend Debuts Obama-Inspired Song At Democratic National Convention
John Legend debuted his new politically minded track "If You're Out There" at the Democratic National Convention in Denver Monday night. Legend, who supports Barack Obama and regular has a link to the nominee's Web web site on his own, mirrors Obama's drive slogans lyrics such as: "We've been looking for the man to change," and "Tomorrow's starting right away." He goes on to say, "No more broken promises, no more call to war/ Unless it's love and peace that we're truly fighting for."
The singer discussed the song's meaning in a financial statement, saying, " 'If You're Out There' reflects the themes of promise and change, responsibility and leadership, and commitment to a better tomorrow explicit in the principles of Barack Obama and the hearts of the American people."
The caterpillar tread, which features the Agape Choir and production by Trevor Horn and Devo Springsteen, will appear on Legend's coming album Evolver, due tabu October 28. However, the song is currently available as a free download on Obama's Web site, or can be purchased from iTunes.
On Friday, Legend premiered the video for the album's first single, "Green Light," on "FNMTV."
"I think it's hard to find a general report [on the album]," Legend told MTV News lately. "It's a lot of love and relationship songs, as multitude probably would expect from me. There's not an overarching lyric theme that goes throughout. It's just a caboodle of good songs, I think."
More information
Monday, 18 August 2008
U2's 'Boy,' 'October' and 'War' reissued in deluxe editions
Like the Beatles, Garth Brooks and so many other mega-sellers before, the members of U2 flunked several auditions before a record company was willing to sign them. In fact, the band's potency was once viewed as so limited that CBS in England, the label that eventually took a chance on the group, reconsidered and dropped it after cathartic just two U2 singles.
Thanks to a newfangled, deluxe edition of the quartet's debut album, "Boy," we can hear those early recordings and reckon what our vote would have been if we were on the CBS staff.
Though some of the band's strengths are obvious, several things about the recordings, especially "Out of Control," remind you so much of David Bowie that CBS execs must have wondered if U2 had whatever ideas of its own. Three of five songs the stria recorded for CBS reappeared on "Boy," which was released by Island Records, but the Bowie-esque touches had been toned down.
In addition to the CBS tunes, the revealing two-disc package comes with a remastered version of the "Boy" album and inviting extras, including insightful reflections by the Edge.
About "11 O'Clock Tick Tock," the band's first single on Island, the U2 guitarist tells us how the band's drum sound changed dramatically after that record. "The tendency of the day," the Edge writes, "was recording studios without any room reverb or ambience. The playing elbow room at Windmill Lane [studios] was designed to be totally dead, and you can hear it on the drums. It wasn't until the 'Boy' roger Sessions that we figured out that we had to pull the drum outfit into the entrance hallway, after the receptionist had gone home, to draw a enough drum sound. With its three-story stairwell and stone and tiled surfaces, it was a great alive room."
These added features make the deluxe editions of "Boy" and iI other new U2 rereleases ("October" and "War") more than valuable than simply the single-disc editions, which propose only the remastered versions of the original albums. Any band wanting to preserve its album history in smart, appealing style should purpose these collections as a model.
U2
"Boy"
Island/Interscope/Universal Music Enterprises
The back floor: Powered by Bono's fascinating vocal and the Edge's radiant guitar lines, "I Will Follow" was such an immediately appealing calling card for U2 that the band played it twice during its local debut at the honest-to-god Country Club in Reseda in March 1981.
It's clear in this collection that U2 was so certain it had a potential drop classic in "I Will Follow" that it overruled Steve Lillywhite, one of England's most respected producers.
Lillywhite asked the ring to forget the studio during the "I Will Follow" commixture process, which involves reconciliation the sound level among various instruments. About the moment, the Edge writes, "It didn't sit well with us not beingness there, simply we were callow 18-year-olds and Steve a old-timer of many great records, so we let him do it his elbow room. It's a great ruffle, but it was too acoustic-guitar-heavy for us."
The result was the band sat in with Lillywhite on a second mixture session and made sure the good emphasized the electric guitar lines that came to define the U2 sound.
U2
"October"
Island/Interscope/Universal Music Enterprises
The bet on story: This was a nervous time for U2 because the 1981 "October" album didn't live up to the assure of "I Will Follow," causing surmisal in the industry that U2 had blown its chance. Looking back on the making of the album, the Edge points out in the CD booklet that the band was in desperate shape, partly because Bono's book of lyrics had been stolen on the tour.
"It was obvious to everyone that we were drive with deuce wheels over the edge of the cliff, and it drew from us, and in particular Bono, a level of creativity that we had not seen before," he writes.
U2
"War"
Island/Interscope/Universal Music Enterprises
The back story: This was U2's creative and commercial breakthrough, thanks to such exquisite and purposeful songs as "New Year's Day" and "Sunday Bloody Sunday." Among the extras is a series of remixes of "Two Hearts Beat as One" aimed at dance clubs, a big change for the band. On this point, the Edge writes, "This was in the days in front sampling and digital recording, so the scope to reconfigure a track over a dance beat was very limited. However, in these remixes, you can hear where things were headed."
More information
Thanks to a newfangled, deluxe edition of the quartet's debut album, "Boy," we can hear those early recordings and reckon what our vote would have been if we were on the CBS staff.
Though some of the band's strengths are obvious, several things about the recordings, especially "Out of Control," remind you so much of David Bowie that CBS execs must have wondered if U2 had whatever ideas of its own. Three of five songs the stria recorded for CBS reappeared on "Boy," which was released by Island Records, but the Bowie-esque touches had been toned down.
In addition to the CBS tunes, the revealing two-disc package comes with a remastered version of the "Boy" album and inviting extras, including insightful reflections by the Edge.
About "11 O'Clock Tick Tock," the band's first single on Island, the U2 guitarist tells us how the band's drum sound changed dramatically after that record. "The tendency of the day," the Edge writes, "was recording studios without any room reverb or ambience. The playing elbow room at Windmill Lane [studios] was designed to be totally dead, and you can hear it on the drums. It wasn't until the 'Boy' roger Sessions that we figured out that we had to pull the drum outfit into the entrance hallway, after the receptionist had gone home, to draw a enough drum sound. With its three-story stairwell and stone and tiled surfaces, it was a great alive room."
These added features make the deluxe editions of "Boy" and iI other new U2 rereleases ("October" and "War") more than valuable than simply the single-disc editions, which propose only the remastered versions of the original albums. Any band wanting to preserve its album history in smart, appealing style should purpose these collections as a model.
U2
"Boy"
Island/Interscope/Universal Music Enterprises
The back floor: Powered by Bono's fascinating vocal and the Edge's radiant guitar lines, "I Will Follow" was such an immediately appealing calling card for U2 that the band played it twice during its local debut at the honest-to-god Country Club in Reseda in March 1981.
It's clear in this collection that U2 was so certain it had a potential drop classic in "I Will Follow" that it overruled Steve Lillywhite, one of England's most respected producers.
Lillywhite asked the ring to forget the studio during the "I Will Follow" commixture process, which involves reconciliation the sound level among various instruments. About the moment, the Edge writes, "It didn't sit well with us not beingness there, simply we were callow 18-year-olds and Steve a old-timer of many great records, so we let him do it his elbow room. It's a great ruffle, but it was too acoustic-guitar-heavy for us."
The result was the band sat in with Lillywhite on a second mixture session and made sure the good emphasized the electric guitar lines that came to define the U2 sound.
U2
"October"
Island/Interscope/Universal Music Enterprises
The bet on story: This was a nervous time for U2 because the 1981 "October" album didn't live up to the assure of "I Will Follow," causing surmisal in the industry that U2 had blown its chance. Looking back on the making of the album, the Edge points out in the CD booklet that the band was in desperate shape, partly because Bono's book of lyrics had been stolen on the tour.
"It was obvious to everyone that we were drive with deuce wheels over the edge of the cliff, and it drew from us, and in particular Bono, a level of creativity that we had not seen before," he writes.
U2
"War"
Island/Interscope/Universal Music Enterprises
The back story: This was U2's creative and commercial breakthrough, thanks to such exquisite and purposeful songs as "New Year's Day" and "Sunday Bloody Sunday." Among the extras is a series of remixes of "Two Hearts Beat as One" aimed at dance clubs, a big change for the band. On this point, the Edge writes, "This was in the days in front sampling and digital recording, so the scope to reconfigure a track over a dance beat was very limited. However, in these remixes, you can hear where things were headed."
More information
Friday, 8 August 2008
Se.Ra.Phic
Artist: Se.Ra.Phic
Genre(s):
Trance
Discography:
After The Last Breath WEB
Year: 2007
Tracks: 3
After The Last Breath
Year: 2007
Tracks: 3
Wolok
Tuesday, 1 July 2008
Mindy Mccready - Mccready Released From Jail After Probation Violation
Fallen country music star MINDY MCCREADY has been released on bail following yet another arrest, this time for violating the terms of her probation, according to reports.
MCCready turned herself into authorities in Williamson County, Tennessee on Monday evening (23Jun08) and posted bail two hours later, according to website TMZ.com.
Police officials have reported to the site that MCCready was suspected of falsifying information on her community service report.
The singer was released from jail last December (07) after serving a six month sentence following an earlier parole violation after allegedly assaulting her mother.
See Also
Thursday, 19 June 2008
Wednesday, 11 June 2008
Eastenders' Tanya to bury Max alive?
'EastEnders' character Tanya Branning will bury cheating husband Max alive in a sensational storyline, according to reports.
The mum of three, played by actress Jo Joyner, takes revenge for his affair with his daughter-in-law, Stacey Slater (Lacey Turner).
After weeks of plotting, Tanya seduces Max (Jake Wood) and then drugs him before putting him in a coffin and burying it in woods, according to The Sun newspaper.
The scenes are due to be shown at Easter.
The Sun quotes a BBC source as saying: "Viewers will have to wait to find out whether Max lives or dies."
Max and Tanya's relationship becomes increasingly more volatile as they battle over custody of their children.
The mum of three, played by actress Jo Joyner, takes revenge for his affair with his daughter-in-law, Stacey Slater (Lacey Turner).
After weeks of plotting, Tanya seduces Max (Jake Wood) and then drugs him before putting him in a coffin and burying it in woods, according to The Sun newspaper.
The scenes are due to be shown at Easter.
The Sun quotes a BBC source as saying: "Viewers will have to wait to find out whether Max lives or dies."
Max and Tanya's relationship becomes increasingly more volatile as they battle over custody of their children.
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